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Subject: The Janeites
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The Janeites
[April 6th=20
2009]
Publication
The story was =
published in=20
Story-Teller, MacLean=92s and Hearst=92s =
International=20
magazines in May 1924. It was collected, with a few minor cuts and =
amendments,=20
in Debits and Credits, 1926, preceded by the poem =93The =
Survival=94 (q.v.)=20
and followed by =93Jane=92s Marriage=94 (q.v.).
The story =
Not=20
long after the end of World War I, the narrator revisits the fictional =
Masonic=20
Lodge described in =93In the Interests of the Brethren=94, this time on =
the day of=20
=93the weekly clean-up=94. Among the team of volunteer cleaners are two =
ex-soldiers,=20
Anthony, a taxi-driver who served in Palestine, and his friend =
Humberstall, a=20
hairdresser who, though he had been invalided out of the army with a =
head wound,=20
had insisted on returning to his Heavy Artillery battery on the western =
front.=20
Being unfit to serve, he was given the post of assistant mess-waiter. He =
describes, without really understanding, how a common passion for the =
works of=20
Jane Austen enabled the senior mess waiter to talk to the officers on =
level=20
terms, and how Humberstall himself was coached into membership of what =
he=20
believes to be a secret society akin to Freemasonry. Then the battery =
was=20
destroyed in a barrage, leaving Humberstall as sole surviving =
=93Janeite=94. He=20
quoted Emma to a senior nurse, another Austen devotee, who =
smuggled him=20
on to a hospital train and so saved his life. He still reads the novels =
to=20
remind him of the war. He has, we learn, to be collected from the Lodge =
by his=20
mother because (as Anthony explains) he is liable to =93a sort o=92 =
quiet=20
fits=94.
Notes
According to Birkenhead (1978, p. =
291), the=20
story was begun in 1922. It was finished in the spring of 1923, =
following a=20
visit to Bath and a discussion with the critic George Saintsbury =93about the sense of fellowship felt by people who shared =
a powerful=20
joint experience =96 whether fighting in war, or membership of a =
Mason=92s Lodge, or=20
even familiarity with the works of an author such as Austen.=94 =
[Lycett,=20
1999, pp. 513-4].
We are indebted to Philip Holberton for =
pointing out=20
that the reference to George Saintsbury is interesting, because =
(according to=20
Wikipedia), he coined the term =93Janeite=94 (as "Janite") in the =
introduction to an=20
1894 edition of Pride and Prejudice.
ORG comments:
The story has three main themes. First =
in=20
literary importance, it contains a deep appreciation of Jane Austen=20
[1775-1817] which is made all the more pointed and piquant by being =
put into=20
the mouth of a very simple-minded and uneducated man in the ranks who =
has been=20
induced to study her works under the impression that her admirers form =
a kind=20
of secret society which it pays to join. Secondly, the story gives a =
good=20
account of the working of heavy artillery in France in 1918 and pays a =
great=20
tribute to the men who manned the guns. The =9214-=9218 war was an =
artillery war=20
like none before it, nor will any ever be like it again in that =
respect, for=20
two great armies were pinned to one thin strip of ground in a =
civilised well=20
mapped country for over three years. In consequence the surveying =
departments=20
of both sides were able to provide their batteries with accurate maps =
mounted=20
on boards showing every detail behind their enemy=92s lines. The =
meteorological=20
departments could send frequent reports on the weather conditions as =
they=20
affected the shooting, while main line railways delivered huge =
quantities of=20
ammunition within a few miles of the battery positions. By 1918 all =
but the=20
most senior officers were men in civil positions who had joined for =
the war=20
only. Thirdly, there is the Masonic background against which the story =
is=20
told.
In March 1915, the Kiplings had visited Bath =
and he=20
re-read the works of Jane Austen there. He wrote to a friend that =93the more I read the more I admire and respect and do =
reverence=85 When=20
she looks straight at a man or a woman she is greater than those who =
were alive=20
with her - by a whole head=85 with a more delicate hand and a keener=20
scalpel.=94 [Pinney (ed.), Letters (vol. 4, 1999) p. 296]. =
Meanwhile their=20
son John Kipling had begun his military training. Seven months later, =
John was=20
posted =93missing believed killed=94 and they gradually had to accept =
that this=20
meant =93dead=94. Mrs Kipling=92s diary records that in January 1917 =
Kipling was=20
reading Jane Austen=92s novels aloud to his wife and daughter =93to=20
our great delight=94 [Carrington=92s notes from Mrs Kipling=92s =
diaries]. There=20
was little delight in their lives just then. They were still mourning =
John, and=20
it would be another three months before the Americans entered the war, =
bringing=20
fresh hope of victory. Jane Austen=92s novels evidently brought a =
welcome break in=20
the family=92s gloom. Admiration had become affection.
It is =
possible that=20
the idea for the story could have come out of Kipling=92s research for =
The=20
Irish Guards in the Great War, the history of his son=92s regiment =
that he had=20
just finished writing. Imogen Gassart, in =93In a foreign field: What =
soldiers in=20
the trenches liked to read=94 [Times Literary Supplement, 10 May =
2002, pp.=20
17-9] explored the archives of the Imperial War Museum and of the =
publishers=20
Thomas Nelson and Sons, showing that books of many kinds were important =
to the=20
troops=92 morale. In 1915, John Buchan and George Mackenzie-Brown, =
co-directors of=20
Nelson, launched the highly successful Continental Library series, =
designed to=20
be carried in soldiers=92 pockets. Gassart quotes the papers of W.B. =
Henderson, a=20
Glaswegian schoolmaster attached to a Siege Battery in the Royal =
Garrison=20
Artillery, in arguing that a book=92s solace:=20
"was its power to transport the =
infantryman from=20
a world of =93sergeants major and bayonet fighting, and trench digging =
and lorry=20
cleaning and caterpillar greasing=94 into the fantasy of the novelist =
=96 and none=20
was better at it than Jane Austen.
Henderson=92s =
character=20
emerges as nothing like the drunken con-man Macklin in Kipling=92s =
story. His=20
papers were not an obvious source for The Irish Guards in the Great =
War.=20
But that research had involved meeting a great many survivors, as well =
as=20
reading the diaries and letters of soldiers on the western front. =
Kipling was=20
acquainted with John Buchan and is known to have had at least one =
conversation=20
with him at the Beefsteak Club. If there was really a tendency among =
soldiers to=20
read Jane Austen, this could have emerged in such interviews and =
conversations=20
and have piqued the author=92s imagination.
Critical =
opinions=20
C.S. Lewis denounced the story as a prime example of Kipling=92s =
habit of=20
claiming insider knowledge: =93Finally something so =
simple and=20
ordinary as an enjoyment of Jane Austen=92s novels is turned into the =
pretext for=20
one more secret society, and we have the hardly forgiveable =
Janeites. It=20
is this ubiquitous presence of the Ring, this unwearied knowingness, =
that=20
renders his work in the long run suffocating and unendurable.=94 =
[Lecture,=20
1948: reprinted in C.S. Lewis, They asked for a Paper (London, =
1963); the=20
Kipling Journal, XXV, Nos. 127, 128 (Sept., Dec. 1958), pp. 8-16, =
7-11;=20
Elliot L. Gilbert (ed.), Kipling and the Critics (New York =
University=20
Press, 1965), pp. 99-117.]
Carrington, himself a survivor of the =
western=20
front, rated it as one of six stories in Debits and Credits that =
on their=20
own would make: =93his name stand high among the =
world=92s=20
story-tellers.=94 [1955, p. 468]. He called it [p. 471] =93a=20
cunningly contrived story written with as many skins as an =
onion.=94 But he=20
went on to comment [p. 472] that =93the story would =
have the same=20
point if it had been called =91The Trollopians=92 and the password had =
been =91Hiram=92s=20
Hospital=92 instead of =91Tilneys [sic] and trap-doors=92.=94 =
For J.M.S.=20
Tompkins [1959, p. 190] the horrors of war =93contrast in every=20
way with the exquisite art of Jane Austen, the strange but natural =
resource of=20
the men whose duty it is to deal familiarly with carnage. They are =
needed, too,=20
to suggest the full meaning of the quaint and innocently moving remark =
with=20
which Humberstall, sound in body but always a little bewildered in mind, =
and now=20
peaceably restored to his hair-dressing behind Ebury Street, ends his =
account of=20
what was =96 though he could never describe it like that =96 the most =
deeply=20
satisfying experience of his life: =91=94I read all her six books now =
for pleasure=20
=91tween times in the shop; an=92 it brings it all back =96 down to the =
smell of the=20
glue-paint on the screens. You take it from me, Brethren, there=92s no =
one to=20
touch Jane when you=92re in a tight place. Gawd bless =91er, whoever she =
was.=92=94
Philip Mason [1975, p. 210] placed =93The =
Janeites=94 in the=20
second rank of Kipling=92s stories, on his =93reserve team=94. But later =
[p. 280] he=20
confessed: =93I am irritated by the characters=92 =
habit of=20
referring to Miss Austen as if she were a popular barmaid. And this =
third or=20
inmost secret society is trivial compared with the second [the =
ex-soldiers]. It=20
takes on a life of its own, and the light facetious note does not =
accentuate the=20
horror =96 as it might =96 but jars with it when the enemy=92s shells do =
at last find=20
the battery.=94
[L.L.] =
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