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Editors’ Note
Gillian Dow and Susan Allen Ford
New Faces, New Understandings
Part 1: New Faces
Isobel Grundy
Part 2: New Understandings
Juliet McMaster
“Jane Austen” Today
Lost In Austen and Generation-Y Janeites
Laurie Kaplan
Austen’s Adventures in American Popular Fiction, 1996-2006
Juliette Wells
Austen Therapy: Pride and Prejudice and Popular Culture
Marilyn Francus
Eyeing Mrs. Elton: Learning Through Pastiche
Diana Birchall
Jane Austen and her Contemporaries
“Motionless Wonder”: Contemplating Gothic Sublimity in Northanger Abbey
Natasha Duquette
What Happens at the Party: Jane Austen Converses with Charlotte Smith
Jacqueline Labbe
Jane Austen’s Reading: The Chawton Years
Gillian Dow and Katie Halsey
Cultural Contexts
“In the Place of a Parent”: Austen and Adoption
Eric C. Walker
Dancing in a New Direction: Jane Austen and the Regency Waltz
Erin J. Smith
Austen and Enclosure
Helena Kelly
Reception and Adaptation
Why Austen cannot be a “classique” in French: New Directions in the French Reception of Austen
Valérie Cossy
Jane Austen in Japanese Literature: An Overview
Ebine Hiroshi, Amano Miyuki, and Hisamori Kazuko
Sōseki’s Transformation of the Austenian Novel: From the Novel of Manners to
the Psychological Novel
Amano Miyuki
Elizabeth Bennet Turns Socialist: Nogami Yaeko’s Machiko
Hisamori Kazuko
Experimenting with Jane Austen: Kurahashi Yumiko
Ebine Hiroshi
The Reception of Jane Austen in Japanese Literature: Beyond Adaptation
Ebine Hiroshi, Amano Miyuki, and Hisamori Kazuko
“Read and reread until they could be read no more”:
Charles Darwin and the Novels of Jane Austen
Elizabeth Bankes
Prelude and Postlude
Unbecoming Jane: Genre and Craft in Austen’s Earliest Novels
Lesley Peterson
Are We Ready for New Directions? Jane Austen’s The History of England & Cassandra’s Portraits
Annette Upfal and Christine Alexander
“Three or Four Families”: Suggestions for New Directions in Biographical Research
Deirdre Le Faye
Fanny Caroline Lefroy: A Feminist Critic in the Austen Family
Alice Marie Villaseñor
© Jane Austen Society of North America, Inc. All rights reserved. Contributors retain their individual copyrights.
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