Pictures of Perfection: Margaret Holford’s First Impressions; or, The Portrait (1801) as an Influence on Pride and Prejudice (1813)
By
Hannah Moss
Hannah Moss works for the National Trust. She completed her Ph.D. at the University of Sheffield, specializing in eighteenth-century women’s writing on art. Alongside Joe Bray, she is the co-editor of The Edinburgh Companion to Jane Austen and the Arts (2024).